Author: tim.lightfactory
Some proudest moments from running the Citadel in the 1980’s.
When bands played at The Lamb pub.
For the full interview with Mike contact St Helens Archive Service. https://www.sthelens.gov.uk/article/3… Artist Collective Re-Dock have been working with St Helens Library Service aiming to capture people’s experiences of Creative St Helens 1982-1995. The is part of a wider two-year National Lottery Heritage Fund project ‘Creative Underground’, coordinated by St Helens Library Service. We are asking people to come forward with contributions and memories that could be contributed to be saved for future generations within the borough collections at St Helens Archive Service.
What was college like in St Helens in the 1980’s
What was ‘Deadfly’ recording studios?
Being involved in a ‘Youth Quake’ in St Helens in the 1980’s
For the full interview with Barry contact St Helens Archive Service. https://www.sthelens.gov.uk/article/3… Artist Collective Re-Dock have been working with St Helens Library Service aiming to capture people’s experiences of Creative St Helens 1982-1995. The is part of a wider two-year National Lottery Heritage Fund project ‘Creative Underground’, coordinated by St Helens Library Service. We are asking people to come forward with contributions and memories that could be contributed to be saved for future generations within the borough collections at St Helens Archive Service.
Working at The Citadel when it re-opened in the 1980’s
Panal Discussion – 25th Nov 2023
On 25th Nov we premiered the film ‘Another Country’ at Lucem House in St Helens. The sold out screening featured a panel discussion featuring Roger Hill, Rebecca Ainsworth, Paul Hogan, Barry Gore and Barrie Pennington.
More Screenings at Lucem House
Over the past few weeks we hosted 3 screenings of our film ‘Another Country’ created as part of this project, looking at the creative period 1982-1995 and what enabled it to happen.
All the screenings were virtually sold out and there were lively discussions after each screenings often leading towards what needs to be in place for this creative period to happen again.
It was also a really good way for people to make connections, either old friends and colleagues or ones for new possibilities. It reminds me of the power of cinema – these connections would be unlikely to happen if we had just put the film on the internet. We’re planning more public outings of the film for next year.
